"The stories [as told by the author] are extremely interesting and illuminating, covering a quite extraordinary range of material (the scholarly work here alone is quite outstanding) from opera to publishing history to letters to film and fiction as well as archives. There are lots of interesting reflections on, for example, Orientalism and Islam, as well as politics, which provide food for thought in today's world.The volume is very well written and extremely clear, and the footnotes are often as important as the main text." áá·ááJohn Foot, University College London

It has often been assumed that Europeans invented and had the exclusive monopoly over courtly and romantic love, commonly considered to be the highest form of relations between men and women. This view was particularly prevalent between 1770 and the mid-twentieth century, but was challenged in the 1960s when romantic love came to be seen as a universal sentiment that can be found in all cultures in the world. However, there remains the historical problem that the Europeans used this concept of love as a fundamental part of their self-image over a long period (traces of it still remain) and it became very much caught up in the concept of marriage. This book challenges the underlying Eurocentrism of this notion while exploring in a more general sense the connection between identity and emotions.

Luisa Passerini is Professor of Cultural History at the University of Turin and External Professor at the European University Institute, Florence. She was Director of the project 'Europe and Love' at the Kulturwissenschaftliches Institut, Essen, in 2002-2004. She has published widely on the historical relationships between the discourse on Europe and the discourse on love, gender and generation in history, and memory and subjectivity. She was co-editor of Women Migrants from East to West: Gender, Mobility and Belonging in Contemporary Europe, published by Berghahn Books in 2007.