Detalles del libro
It starts with the idea of an idea: a five-headed writing machine, built from necessity, each part imperfectly locked into the other, leaving room for the accidental miracle, the magic of chance. There is a no fixed stance, no stated cause. It is all atomised atmosphere, movement and mystery. The music is a unified projection of something more potent and profound than the sum of its individual parts.Simple Minds have been many different bands and several great ones. Emerging in 1978 from Glasgow's post-punk scene, they transitioned from restless art-rock to electro Futurism, mutated into passionate pop contenders and, finally, a global rock behemoth. The drama of their story lies in these transformations and triumphs, conflicts and contradictions.Written with the full input and cooperation of the band, in Themes for Great Cities Graeme Thomson reclaims and revivifies the magnificence of Simple Minds' pioneering early records, from the glitchy Euro-ambience of Real to Real Cacophony and Empires and Dance to the pulsing, agitated romance of Sons and Fascination, New Gold Dream and beyond. It is a fast story. Things move quickly. Between spring 1979 and autumn 1982, Simple Minds released six albums and toured constantly. Nothing mattered but the music, forged from perpetual motion. Creation without reflection. Make and move. Brimming with youthful energy and a powerful sense of collective mission, the sounds they made were bold, intense, extraordinary. Featuring in-depth new interviews with Jim Kerr, Charlie Burchill and the original band members, alongside key figures from within their creative community, Themes for Great Cities tells the inside story of a band becoming a band. It covers a period of transition lasting several years, celebrating the ground-breaking work made by a group continually testing its capabilities.Inspiring, insightful and enlightening, Themes for Great Cities gives long overdue credit to the trailblazing early music of one of Britain's greatest and most influential bands.
'The Simple Minds story has been too condensed. After Live Aid and "Don't You (Forget About Me)" there hasn't been quite the credit for those first few records. I think they contain some really special music. I can hear the flaws but there's something about the spirit and imagination in them that feels good. They draw from such a wide range of influences . . . but the spirit of it was always Simple Minds' Jim Kerr, to the author Graeme Thomson is the author of several acclaimed music books, including Under the Ivy: The Life & Music of Kate Bush, described by the Irish Times as 'the best music biography in perhaps the past decade', and Cowboy Song, the authorised biography of Philip Lynott, published by Constable in 2016. In 2020, Small Hours: The Long Night of John Martyn was a Book of the Year in the Sunday Times, Financial Times, Telegraph, Evening Standard and MOJO. Graeme is pop columnist for the Spectator and writes on music, literature and popular culture for a number of publications, including the Guardian, Radio Times, Uncut and Pitchfork. Leer más- Autor/es Thomson, Graeme
- ISBN13 9781472134004
- ISBN10 1472134001
- Páginas 368
Themes for Great Cities: A New History of Simple Minds
- Graeme Thomson
- Editorial LITTLE, BROWN BOOK G
- ISBN 9781472134004